Blazing Brass reviews
2000 - 2001
Playlist and tracks
Blazing Brass wins British Bandsman CD of the Year 2001
Breathless Blazing Brass
by John Maines
British Bandsman - 24 November 2001
When I reviewed this disc back in the
summer, I intimated that this recording would be one of the front-runners
when deciding on the British Bandsman CD of the Year Award. Although a
couple of discs have come close, I have no hesitation in picking out the
talents of the New York Staff Band on the brilliant Blazing Brass.
Under the direction of Ronald Waiksnoris,
the NYSB proves beyond a doubt to be one of the Salvation Army's finest
outfits. This CD from the band along with tuba virtuoso Patrick Sheridan
as guest soloist is, in my opinion, the band's best to date. .
Congratulations to conductor Ron
Waiksnoris, the band and soloist for producing a recording which is well
worthy of the accolade British Bandsman CD of the year 2001.
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Blazing Brass
New York Staff Band and Patrick Sheridan, Tuba
Review by Tim Mutum
CRITIC'S CORNER
You realize just how far The Salvation Army has traveled
when a CD includes a performance of 'Grandfather's Clock' played on
the tuba by Patrick Sheridan, who seems to have work with just about every
ensemble that counts. But if this timeless George Doughty number and other
light-hearted jollies illustrate the show side of this versatile player,
don't be fooled because this is one serious musician. And it is in this
context that Sheridan shows his real worth in the Martin Ellerby 'Tuba
Concerto'. Here there is a quality of sound that the average tuba player
just dreams about, by but golly it is something to look up to! The
concerto defies the norm of quick, slow, quick, and is in one continuous
movement, but broken into two almost equal halves. A rather mournful
opening for the soloist breaks into a lyrical section and then into an
allegro, which is fiery in character.
With Sheridan contributing 31 of the 71 minutes, you would
be forgiven for thinking that the NYSB are just a side show. You would be
oh so wrong. Sheridan is the very rich icing on an extremely delicious
cake. Kevin Norbury is the major contributor to the balance with an
opening march 'Proclaimers' and a 'Flourish and Dances' which
follow a work he penned specifically for the soloist on this disc. It is a
playful 'Badinage', but his major contribution is 'Truth Aflame'
which has a rock-like opening section, a slower, lyrical middle and a
resounding conclusion. Norbury's class in writing for band at a quality
level is so clearly evident here.
Other contributions are a Brenton Broadstock trombone
trio, Peter Graham's 'Ad Optimum' and a delightful vocal solo in
which the band accompany Raymond Livingston in 'Into the Fire'.
Finally there are two mild disappointments. 'Variations on a Tyrolean
Song' with a tuba as the solo instrument, is a case of being too clever-despite
showing Sheridan's super-human technical skills, and the same might well
be said of 'The Stars and Stripes Forever' where a tuba playing the
famous piccolo solo patently does not work.
That aside this disc is an absolute stunner, the sound is
so alive and the band in tip top form with a program that overall shows
imagination and flair. I'm not sure about Blazing Brass, it's more a
case of Amazing Brass.
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'Blazing Brass'
Review by Wally Pope
Australia's Band World
'Blazing Brass' by New York Staff Band with Patrick
Sheridan on tuba is simply a top CD.
'Blazing Brass' opens and closes with a march. 'The
Proclaimers' is a contemporary piece by Kevin Norbury where the NYSB's
general character and personality are profiled. 'The Stars and Stripes'
fittingly has Sheridan playing the piccolo solo on tuba.
The NYSB under Bandmaster Ronald Waiksnoris display their
team-oriented wizardry in five other tracks. In an excerpt from Act 1 of
Tchaikovsky's 'Swan Lake' and again in Kevin Norbury's 'Flourish
and Dances' the band displays a blisteringly hot technical ability. Two
works fit into the contemporary symphonic overture classification - 'Ad
Optimum' (Peter Graham) and 'Truth Aflame' (Kevin Norbury).
Sheridan as the featured soloist combines a noble tone and
a fun personality when making his instrument sing.
With the NYSB, Patrick plays five solos from the modern to
the traditional. Peter Graham and Mark Freeh respectively have 'Grandfather's
Clock' and Arban's 'Tyrolean Song' in tasteful style. Both retain
the traditional theme and variations and exceedingly fast endings, where
Patrick's technique is blinding.
Goedicke's 'Concert Etude' arranged by William
Broughton has a strikingly soft finish. 'Badinage' is a work written
for Patrick and the NYSB by Kevin Norbury and the tastefully, slightly
rude bass trombone sound is complemented by Patrick's rude pedal at the
finish.
Martin Ellerby's 'Tuba Concerto' is simply a fine
piece of music well played by band and soloist.
And there is some Australian content with Brenton
Broadstock's 'My Shepherd', a trombone section feature.
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NYSB, Patrick Sheridan thrill with playing of 'highest order'
Review by Vernon Briggs
Brass Band World, July/August 2001
This CD gets off to a fine start with an exhilarating new
concert march by Kevin Norbury entitled The
Proclaimers, which is immediately followed by the scintillating
technical tour-de-force of Patrick Sheridan's tuba version of the
Grandfather's
Clock Variations. The programme continues with interesting fresh
band pieces alternating with impressive tuba performances throughout.
The most prestigious of the soloist tracks is undoubtedly
the Tuba Concerto by Martin Ellerby which has two complimentary
sections in one 12-minute movement-an intriguingly mellow Andante
followed by a pugnaciously athletic Allegro, each manifesting a
significant aspect of the true tuba character. Ronald Holz's sleeve note
sums up this work's excellence by saying "Ellerby manages the
tutti-soli dialogue with a masterful control of the band's resources
while allowing the tuba to sing its musical argument in unimpeded space
and with rare excellence", and the performance demonstrates this
admirably.
Kevin Norbury's Badinage was specifically written
for Patrick Sheridan, and is an attractively brisk but lyrical piece which
concludes with a whimsically swinging 'heavenly' ride filled with
technical challenges and fun rhythms. Surely a winner in the 'light
music' stakes! There are still two further virtuoso displays to enjoy
from the guest soloist, when in Goedicke's Etude, the velocity of
the double-tonguing has you gasping, and in Arban's Variations on a
Tyrolean Song the triple-tonguing leaves you absolutely 'gob-smacked'.
Patrick Sheridan's instrumental technique is phenomenal.
The intervening band pieces are also talking-points. An
excerpt from Act I of Tchaikovsky's Swan
Lake sends the whole band scurrying at an almost frantic speed but
they maintain it astonishingly well and with tight ensemble. Next Kevin
Norbury takes a backward look at the styles of some old dances in Flourish
and Dances (and I loved his Hornpipe). Brenton Broadstock's
arrangement for trombone and band of an American folk-tune My Shepherd
is surprisingly conventional, but there is more satisfaction from Peter
Graham's Ad Optimum which
is based on material from three good hymn-songs and is in the tradition of
worthy SA tone poems.
It is Norbury's overture Truth Aflame however
that provides the star item for band, as it takes themes from two
contrasting musical settings of 'Thou Christ of burning cleansing flame,
send the fire' (one tune being Edwardian and the other modern) and works
out an imaginatively dramatic and emotional musical design from these. The
band's playing here, as indeed throughout the programme, is of the
highest order.
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On Track
Review by John Maines
British Bandsman 16 June, 2001
NEW out from one of the Salvation Army's
finest outfits, The New York Staff Band, this latest offering conducted by
Ronald Waiksnoris features the talents of tuba virtuoso Patrick Sheridan,
and in my opinion, is the band's best to date.
Opening with an absolutely stunning march
by Kevin Norbury, The Proclaimers, just one of four Norbury outputs in
this amazing disc, the band immediately informs us that this is one of the
finest bands we will ever hear anywhere in the world, Salvation Army or
not.
Patrick Sheridan is featured on the next
track in a super rendition of that old chestnut Grandfather's Clock
(arr. Peter Graham) and it is quite obvious to see why Mr. Sheridan is
regarded so highly as he brings a fresh touch to this old favourite.
If you thought the opening of this CD was
a stunner then hold on to your hats and prepare to have your breath taken
away by some of the most technically proficient playing I've heard for
years in Trevor Davis' fiendishly difficult transcription of an excerpt
from Tchaikovsky's Swan Lake.
The serious side of Patrick Sheridan's
soloistic qualities is displayed next in Martin Ellerby's Tuba Concerto.
Apart from just technical wizardry he displays a deep meaningful
musicianship enveloped in a golden sound and the difficult accompaniment
is handled with ease by the band and conductor. Another highly enjoyable
Kevin Norbury piece, Flourishes and Dances, is again played excellently
with some super percussion work followed by his Badinage, which was
written especially for Sheridan and the New York Staff Band.
Brenton Broadstock's trombone feature,
My Shepherd, brings to the listener a warmth of sound and expression
gained from a commitment to their music, and finds the trombone section in
fine form, with some lovely moments to savour. On the other hand Peter
Graham's Ad Optimum mixes that warmth with a brilliance which suits the
band down to the ground. A great piece, and although a difficult choice,
the highlight for me.
Once again, we are treated to the delights
of Patrick Sheridan's playing in a piece of music normally heard on
cornet, Goedicke's Concert Etude, which has to be handled correctly if
it is to work on tuba. Well, no worries there! Sheridan's apparent ease
of technique gives the music a clarity that could easily have been lost on
such low brass.
A pleasant change is offered in the way of
a song, with Raymond Livingston using his excellent voice to great effect
in Into the Fire, before it's not so much a case of The Amazing Mr.
Arban, but Mr. Sheridan in the French cornet legend's Variations on a
Tyrolean Song, in which arguably the fastest triple tonguing ever can be
heard!
The finale to this fine recording is
provided by two contrasting pieces. The first is Kevin Norbury's setting
of an 18th century Salvation Army song, Truth Aflame, which again finds
the band at its best in this fine composer's richly crafted music. The
second is Peter Graham's transcription of the USA's most famous march,
The Stars and Stripes Forever complete with Patrick Sheridan on piccolo
tuba! Hardly surprising that this is included when, on reading the list of
past guest conductors of the New York Staff Band, you see the name of the
one and only John Philip Sousa!
Congratulations are due to conductor Ron
Waiksnoris and the band and soloist for over 70 minutes of all that is
good about brass playing. If, when 2001 is drawing to its close, this disc
is not a nominee for CD of the year, then I for one can't wait to hear
the ones that are nominated!
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